I first saw Nunsense in 1990 at the now-defunct Wellington Theater. The only thing I remembered about that production was that the cast included Georgia Engel of The Mary Tyler Moore Show fame. I didn’t remember that Ann-Margret played one of the other nuns . . . because she didn’t.

In the first of its three-performance Porchlight Revisits shows this season, the company built upon its upbeat choice of Pump Boys and Dinettes as the season’s still-running first full show, the set of which did double-duty for this show, a usage artfully explained in the dialogue, which also included other newly-added references, such as Ted Lasso and Roku, which, I think, is either some kind of noodle dish or a son of Odin.

I walked out with a smile, but not a program, as the theater emulated the restaurants that now have you scan a bar code to get your menu, which is fine by me except that I must have done something wrong this time, as, at intermission, someone delivered to me something called Udon, which I previously thought was Roku’s brother’s name.