Another final performance. My way of avoiding any readers saying that they relied upon my “review.”
I hadn’t been to the BET in almost 6 years, but some things never change. Though she has turned a lot of the creative work over to Daryl Brooks, who wrote and directed this production, Jackie Taylor is still the driving force behind the theater. And it was her birthday! Following the performance, the audience joined the cast in a joyful version of Happy Birthday I had never heard before. Unfortunately, no cake was served in the lobby, as had been the last time I was there, for The Other Cinderella.
There was a lot of emotion during the finale – That’s What Friends Are For – as the mature and young versions of the three leading ladies gathered together one last time. All six are good actresses, but they weren’t acting, the tears were real.
The crowd was engaged and enthusiastic throughout, including one woman in the front row doing lot of chair dancing. But the highest energy of the day was provided by Tamara Batiest, as the mature Patti Labelle, pushing both the vocal and physical edges of the envelope in her take on Labelle. Just when you thought she had taken it as far as she could, she would find another layer and milk it for all it was worth.
I won’t be waiting so long to return to the BET, going back in the fall for Blue Heaven, also written and directed by Brooks, which was on display in 2022, when a lot of people, myself included, were not yet back to normal theater-going. I’ll be going out on a limb, attending before the final performance, so I’ll have to stall writing about it for a day or two afterward.
Discover more from Art Gets Out
Subscribe to get the latest posts sent to your email.