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The 2023 Newberry Book Fair – The Newberry – July 28-30, 2023

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The book fair reminds me of an early scene in a scary movie, no, not the library scene in Ghostbusters, although . . . . But, rather, replace a few paleontologists, or perhaps more accurately paleozoologists, digging for Jurassic Period fossils of the extinct triceratops, tyrannosaurus and velociraptor in Montana (actually Red Rock Canyon State Park in California), with hundreds of bibliophiles digging through piles of near-extinct, dinosaur-equivalent paper books, trying to resurrect the species, which has been decimated, not by an asteroid 66-million years ago, but by publishers like Peanut Press, and later the asteroid-like Amazon, less than three decades ago, with the advent of e-books.

The animal analogy continues as you make your way past the squirreling area, where you’re allowed to hide books, not acorns, and not overnight, from your competition while you look for more treats in one of the three rooms set aside for bargain-hunting patrons who got their training on Christmas mornings at FAO Schwartz battling one another over Beanie Babies, Tickle Me Elmos and Cabbage Patch Kids.

Unlike the employees of Jurassic Park, who take a potentially dangerous situation and make it worse, the staff and volunteers at the library do an amazing job of preparing and replenishing the tables holding 73 different subject-matter categories, providing information and processing sales, which, by the way, are BYOB (bring your own bag), or, in some cases, shopping carts.

The message is, even with the demise of the brick-and-mortar bookstore, to analogize the words of Jeff Goldblum as Dr. Ian Malcolm, books find a way.

Grant Park Music Festival – Millennium Park – July 19, 2023

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Two things drew me to the park for this concert, the beautiful weather (as opposed to the previous two Wednesday evenings, which featured flooding one night and a tornado warning the other, both of which shut down the concerts), and the Gorchakov, as opposed to the more commonly played Ravel, orchestration of Mussorgsky’s Pictures at an Exhibition, which I had never heard before (not that I can tell the difference).

But neither was the main attraction (well, maybe the weather, as evidenced by the largest crowd of the year).

The first piece, the one-year-old Profiles, an homage to Harlem, was introduced by its composer, Carlos Simon, who told the audience that the sound of nearby sirens during rehearsal, given the subject matter, seemed entirely appropriate for the music, and that we should accept it as such if it happened during the performance. I couldn’t help but wonder whether the musicians had a different viewpoint.

After Profiles, the orchestra gave us Alexander Glazunov’s Concerto in A Minor, featuring solo violinist Esther Yoo. What followed that was the highlight of the night, as Yoo played a solo encore of . . . wait for it . . . Yankee Doodle Dandy that displayed her exceptional talent and artistic whimsey.

For a joyful five minutes, listen to the version I found online of her playing it at the 2022 Copenhagen Summer Festival.

Wheels – The Newberry – July 19, 2023

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What happens when you run out of ideas for a new exhibit? The Newberry came up with the perfect answer by asking what happens when you search your collection for a certain word, in their case ”wheels”.

They came up with enough material to line a couple walls and inspire this column.

Among the highlights they found are photos from the Chicago Railroad Fair of 1949, which Walt Disney attended, and which, it is said, was one of the inspirations for Disneyland.

There also are pictures from a roller derby (which I watched religiously in my youth); a wheel of fortune (not The Wheel of Fortune); the original Chicago Ferris Wheel (not Ferret Wheel, which you can buy online at friendlyferret.com); and more.

I don’t need to fill two walls, only half a page, so, lacking any originality, I decided I would search for “wheel’ among my past blogs. This, as it turned out, was smarter than looking for the plural, like they did, as it opens up the world of compound words.

I’ve mentioned my limited wheelhouse when it comes to Jeopardy categories; a wheelchair, when discussing Bette Midler’s alter ego Delores Delagoa; a wheeled emergency stretcher, when reporting on an incident at a concert; and a wheelbarrow, when recounting working in the park.

And, lastly, I recalled that a Newberry speaker (see how I got back to them) cited Nutcracker choreographer Christopher Wheeldon.

Chicago Duo Piano Festival – Nichols Hall – July 16, 2023

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Eleven days ago I saw Michelle Cann rock Gershwin’s Rhapsody in Blue on the piano at a rehearsal with the Grant Park Orchestra (no Oscar Levant impersonations involved). In addition to her virtuosic playing, she flashed a radiant smile and an animated involvement with the music. I even was mesmerized by the way her feet danced with the pedals,

Unfortunately, I missed Joyce Yang performing Tchaikovsky’s Piano Concerto No. 1 a week later, as did she, when a tornado warning shut down the Millennium Park concert. If I had been there I’m sure the closing of the large glass doors to protect the musicians from the elements would have reminded me of The Time Machine, when the doors at the sphinx’s base closed, trapping Weena and other Eloi inside.

But Joyce escaped (as did Weena with the unnamed inventor’s help) and I was there to hear her work her magic on Franz Lisa’s Totentanz three days later in the park.

My stroll through the world of piano got topped off the next day by watching the Millennium Park soloists of the future play in the Music Institute Of Chicago’s student recital portion of its annual Chicago Duo Piano Festival, highlighted by the play of the already-acclaimed, brother-sister, young-teen-team of Eric and Katie Koh.

As great as they were, however, my fancy was struck by three of the young artists playing Rachmaninoff’s 2 pieces for 6 hands waltz; three others playing Kevin Olson’s Outstanding, which features one of them walking back and forth behind the other two to play different parts of the piano; and the four-person, two-piano rendition of Take Five.

According to UPI, the Guinness World Record was set in 2018 when 40 pianos were played on a stage in China in unison with 599 pianos in a nearby square, for a total 639 played at the same time. I can’t believe I missed that one.

Chicago Storytelling in Bughouse Square – The Newberry – July 15, 2023

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Last year, in regard to this annual event, I quoted Will Rogers about things not being what they used to be. This year, they were even less than that.

Last year, I visited the Society of Smallness table and exchanged small talk with them. But, after many years of underwhelming us with their underachievements, they didn’t make an appearance this year. Perhaps they had little left to say.

A few times, in past years, I’ve been entertained by the ragtag Environmental Encroachment Brass Band, and, last year, the Sheryl Youngblood Blues Band. This year, no offense, musically there only was a DJ whose job it was, I think, to help keep people awake between speakers in Ruggles Hall, which, as far as I know, despite being in a library, is not an eponym for the protagonist of the novel Ruggles of Red Gap, or the movie of the same name, wherein, interestingly, the actor Charles Ruggles plays, not the title character, but rather Egbert Floud.

Last year a couple of the scheduled speakers struck my fancy, including the one who talked about pigeons, a relevant topic when we were in the park as usual, but the threat of bad weather (even that’s not what it used to be – way more often now as Armageddon approaches), kept us inside, and the only orator I listened to was, coincidentally, Chad the Bird, who, in case you don’t know, is Chicago’s leading avian op ed columnist, who gave us the history of Malort, the iconic Chicago undrinkable drink.

Personality: The Lloyd Price Musical – Studebaker Theater – July 9, 2023

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This show wants to go to Broadway. As someone suggested to me, maybe Broadway and Belmont. I agree. For my money, this Price is not right.

I mean the show, not the person, as Saint Aubyn, playing the lead, portraying the elder Price, as opposed to the Elder Price, a character in The Book of Mormon, a much better play, is terrific, singing, dancing and interacting with the audience.

If you watch the video of the real Price on the Ed Sullivan show, and compare it with Aubyn’s stage version of that event, Aubyn is the clear victor. In the video, Price dances like Elaine Benes.

Performances, and great dancing by the whole cast aside (that shouldn’t be cast aside), there is a lot that could be cut from Personality, especially in the second act. I’ll try not to spoil it for you, in case all the highly recommended reviews lead you astray.

So please cut the scene where Price and three members of his band (redacted), the scene where he gets advice from (redacted), and the scene where (redacted) sings (redacted), which may lead the audience to believe (redacted), which is not true.

And wouldn’t it make his story even more interesting if those scenes were replaced with some reference to the interesting latter parts of his life, admittedly not associated with music, such as working with Don King to promote the famous Rumble in the Jungle and Thrilla in Manilla prizefights and starting a company to develop low income housing for underprivileged minorities.

And while, according to the show, his marriage was less than ideal, none of the online bios I could find mention that fact at all. According to the 2021 obituaries I found, he was survived by a different wife and several more children than were introduced in the play. May he and this show rest in peace.

Nascar Chicago Street Race – July 2, 2023

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No, I didn’t attend. Get serious. Although, I will admit to the following: when I was 13-years old, having gone with my parents to the Daytona International Speedway and done one of their one lap ride-along experiences. Interestingly, it was right after that I stopped being able to sleep through the night.

I also will admit to having gone to drag races on a Sunday!, Sunday!, Sunday!, around that same time, though, if I recall correctly, it was at the Great Lakes Dragway in Union Grove Wisconsin, not at the U.S. 30 Dragstrip in Hobart, Indiana. My clearest recollection is that it was cold and I was underdressed, and my father wisely purchased a thick Sunday paper so that we could wrap ourselves in the pages under our coats to keep warm.

Most relevant to the Nascar event, however, may have been my trip to a demolition derby in Soldier Field while in high school, which I was reminded of when I saw the picture of the recent racers sliding into the piles of tires used as barriers on the Chicago street course.

That looked like fun. Forget watching the professional drivers floor it on the straightaways. I can see that from amateurs anytime on the local highways, and with the added factors of a cell phone in their hands and my life in danger.

No, give me a car with a safety cage and a good old pile of tires to ram into. That’s an event I could get behind. A whole new meaning to being retired.

The Who’s Tommy the Musical – Goodman Theatre – June 24, 2023

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A year after The Who released their album Tommy, I saw them perform it live at the Auditorium Theater. I had trouble hearing for two days thereafter, but I didn’t care.

With that memory in mind, I thought about bringing ear plugs to the musical, but decided against it, though I was told afterward that the Goodman had them available for audience members, apparently out of my line of sight.

It was loud, though not nearly as loud as the concert had been, and, again, I didn’t care, and don’t appear to have any residual hearing loss.

I came for the music, and was rewarded with not only a tremendous orchestra, but also a great cast, terrific choreography and incredible set design, which included all kinds of amazing light displays. This production is very special, unlike anything I’ve seen before.

The Pinball Wizard scene that closes the first act is itself worth the price of admission, but I’ll also give a shout out to the way in which the paratroopers’ actions were depicted near the opening of the show.

When the full cast started singing the finale, the audience couldn’t contain itself any longer, standing en masse and cheering well before the song ended, which I suppose also could have been reflective of a need for movement given how cold it was in the theater. It’s always something.

The show has been extended to the end of July. See it, feel it.

Lucy and Charlie’s Honeymoon – Lookingglass Theatre Company – June 13, 2023

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This is the second musical I’ve seen with Honeymoon in the title. But this one doesn’t have any flying Elvises. The program describes it as – “First Generation Asian American Renegades. In Love. And on the Run.” Kind of like a modern day Bonnie and Clyde, except not at all.

There’s a lot to like about this production, including the country western music, the humor, the cultural awareness and the serious issues raised, but it seemed to try too hard at times.

The first act made me want to find out how things would play out. The second act made me yearn for the first act. (I would same the same about a lot of other plays.) It was like watching someone using an incorrect thread type to stitch the parts together and winding up with a puckered seam. Still functional, looks okay from a distance and can be fixed, but wouldn’t wear it to the prom as is.

Because it’s a world premiere, I’ll restrain myself from revealing spoilers, but I will say – enjoy the Karaoke scene, try to take in as much of the set as you can and don’t spend a lot of time worrying about Benny.

Meghan “Big Red” Murphy – Wells Street Art Festival – June 10, 2023

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The Wells Street Art Festival should really be called the Wells Street Drinking and Eating Disgusting Fried Foods Festival, but there was art on display.

This was a different kind of Big Red performance than what I have seen in the past, and I’ve seen quite a few – a bawdy holiday show with her and The Boys at a couple different theaters, a tour de force performance as The Lady of the Lake in Spamalot, a solo cabaret show, a third of a We Three trio of ladies at Steppenwolf of all places, a musical guest at the Green Mill’s Paper Machete, a private birthday party performance in the courtyard of my building during the pandemic and, originally, a turn as the star of a production of Woman of the Year.

This time there were no risqué songs, no double entendres, no scatting, and no live music, as if she were David Byrne trying to break the Broadway rules requiring pit musicians. (He finally agreed a couple days ago to use 12, instead of the normal minimum of 19 the union wanted).

There was only great singing and engaging banter in an outdoor street fair setting that is less than perfect for performers, though Red managed to get members of the milling crowd to dance and sing along, all while drinking along (Red stuck to water, I think).

My only disappointment with Murphy was when she sang a disco version of “If You Could Read My Mind” and said how surprised she was to learn that it was originally a Gordon Lightfoot song. I was surprised that there was a disco version.

Totally unrelated, I feel required to mention that I saw former Bears and Illinois head coach Lovie Smith walking around at the festival, one of the few people there who was old enough to know Lightfoot had written the song.