Martin Amis – American Writers Museum -March 20, 2018

Martin Amis, a British novelist and essayist, was introduced as being qualified to speak at the American Writers Museum by virtue of his having lived in Brooklyn the last seven years. The room was full. I don’t think anyone cared where he lived.

He opened by telling us that Brits don’t go to listen to authors, that if your brother had just written a number one bestseller and was next door talking about it, you wouldn’t go. Perhaps that’s why Amis moved to Brooklyn.

He then read from his latest book, The Rub of Time, a collection of past pieces. The headline from The Guardian review of the book said it’s “brilliant, except when it’s not.” That’s the way I felt about Amis. His choice of passages to read was odd, given that a lot of what he read consisted not of his own writing, but of quotes from Donald Trump. That would be like Tina Fey simply reciting a Sarah Palin speech. Oh, wait.

Amis extolled the virtues of Melville’s Billy Budd, which caused a man behind me to suggest that there should have been a spoiler alert before Amis revealed the book’s ending. Given that the book was published in 1924, it made me wonder what the statute of limitations is on spoiler alerts.

A man in front of me asked a question that led Amis to suggest that a certain man in the news didn’t have sex with a certain woman, but rather engaged in some behavior in her presence not seen twice in human history. My imagination was at a loss, but I laughed anyway.

Amis’s favorite authors are Bellow and Nabokov, though Amis suggested that Nabokov wrote four too many novels involving 12-year-old girls (out of the seven such novels he wrote). Seven! It seems like one should have been enough. (I remember walking into a college interview with a copy of Lolita in hand to read while in the waiting room. Nothing like making a good first impression.)

Kate Moore – American Writers Museum – March 18, 2018

We didn’t know Kate Moore was British (after all, we were at the American Writers Museum and her book was about Americans) until she opened her mouth to reveal a delightful accent and to tell us she was from “across the pond.”

She spoke nonstop for an hour about her book, The Radium Girls: The Dark Story of America’s Shining Women, providing personal details about the women’s lives, while also discussing their place in history as it relates to discoveries about the effects of radium poisoning and changes in occupational disease labor law.

Leonard Grossman Jr., the son of the lawyer who represented some of the women in their battle against their employer, was at the museum for the program. He has an interesting website with scans of original newspaper articles about the women from the 1920s and 30s.

Though I usually prefer going to hear authors who have something humorous to say, all the authors I’ve seen at the museum perform a very important function for me. They give me something to talk about at parties, making me sound well-read, without actually having to read anything.

With this important function in mind, I’m heading back to the museum to see Martin Amis discuss The Rub of Time.  Last time I looked, he was also British. But his publisher describes him as “acidly funny”, so I’m back on safe ground.

After listening to Moore, we went to dinner at Howells and Hood, which wouldn’t be significant except to note that we both ordered chicken dishes and the waiter came back a few minutes later to tell us they were out of chicken! According to the National Chicken Council, the average American ate over 91 pounds of chicken last year . So you’d think a restaurant would be prepared for the likelihood of someone ordering chicken. At least they didn’t try to substitute something else lying around the kitchen that “tastes like chicken.”

 

Museums – 2017

In 2017 I visited exhibits at the Museum of Broadcast Communications, Art Institute, American Writers Museum, Museum of Contemporary Art (MCA), and Musical Instrument Museum.

The Musical Instrument Museum is supposedly in Phoenix, but I didn’t see anything but desert for miles around it, which reminds me, I also visited the Arizona-Sonora Desert Museum in Tucson, where I learned that javelinas look similar to, but are not pigs. Okay, good to know. The special exhibit at the instrument museum was Dragons and Vines: Inlaid Guitar Masterpieces. The guitars were much more attractive than the javelinas.

The Breakup exhibit at the MCA was mostly related to a serious topic, but what caught my attention was that it also had some cool memorabilia related to theories on the timeline of the breakup of The Beatles. Spoiler alert – they’re not getting back together.

The Saturday Night Live: The Experience exhibit at the Museum of Broadcast Communications offers you the possibility of paying more money on top of your admission fee to have your picture taken behind the Weekend Update news desk. I passed on that part of the experience, went home, and sat behind my own desk for free.

I went to the Rodin exhibit at the Art Institute expecting to see paintings of a giant flying monster from a 1956 Japanese horror film (oops, that was Rodan), but instead saw a bunch of sculptures, including one of some naked guy thinking. I wonder whether he was thinking about giant flying monsters.

I’ve been to Jack Kerouac’s grave in Lowell Massachusetts (wasn’t my idea), and seen Jack Kerouac Alley across the street from City Lights Bookstore in San Francisco, but I’ve never read On the Road Again, even though it was the anthem of my generation, or so I’m told. I loved Canned Heat’s hit On the Road Again, way before Willie Nelson recorded it. I’m not sure what to make of all that, but it was still interesting to see the 120-foot-long roll of paper upon which Kerouac typed the On the Road manuscript, which was on display at the American Writers Museum last October. By the way, in case you’re wondering, it’s not toilet paper, though that would have made an even better story.

American Writers Museum – Gillian Flynn and A.J. Finn – January 16, 2018

I haven’t read any of Gillian Flynn’s books (though I enjoyed the movie Gone Girl) and I haven’t read A.J. Finn’s first effort, the highly acclaimed The Woman in the Window, but now that I have seen Finn speak in person, I will remedy that omission. He’s a hoot – candid, funny, animated, articulate, and well-schooled. The program was a give-and-take between the authors that was never dull.

Because it started 15 minutes late, as too many things I go to seem to do, I had to leave when they started taking questions from the audience. I regretted having to leave early on this occasion, although often I can’t get out fast enough at that point in a program to avoid the questioners who don’t know the difference between a question and a statement, or just want to hear themselves talk, or want everyone else in the room to hear their opinion or resume. If that’s your thing, start a blog, like I did, where people can read your thoughts, if so inclined, at their leisure and without it cutting into the time of the invited speakers.

There were only a few empty seats when we got there, but apparently the museum is still new enough (it just opened in March 2017) that there aren’t a lot of members yet (I happen to be one). So, after being adorned with member wrist bands, we were lovingly directed to a couch along the wall. We couldn’t see the speakers, but had no complaint about that.  Even so, a staff person came by and suggested that I could push the couch forward along the wall to a spot that would allow an unimpeded view. I hesitated doing so, but the staff person took it upon herself to do it for us. My $40 membership had already paid dividends.