Brewseum Exhibit – Field Museum – November 4, 2019

Tucked away among fearsome-looking predators on the Field Museum’s first floor, there’s a small room housing the temporary Brewseum exhibit, which provides information about the history of Chicago breweries that they never taught us in school, and apparently still don’t, as evidenced by the lack of screaming children on field trips in my midst.

Having previously enjoyed hearing the Brewseum’s executive director, Liz Garibay, speak at the Art Institute, I was hoping for a larger, not just lager, exhibit. But at least they give you the opportunity to design your own beer label, and present you with some particulars for use in your next bar discussion after you run out of things to say about sports and politics.

William Lill and Michael Diversey owned the first Chicago brewery, which was destroyed in the Chicago Fire. What makes this interesting is knowing that the city eventually named a major street after Diversey, but only a minor one after Lill. The unstated reason, I presume, is that Diversey also was a Chicago alderman.

The Siebel Institute of Technology, located on Goose Island, founded in 1868 as the Siebel Zymotechnic Institute, and renamed in 1872, is a vocational school that focuses on brewing science. Perhaps my next career move.

As if they were children playing tee ball, the Pabst and Schlitz brewing companies both received participation medals at the 1893 Chicago World’s Fair. But Pabst later added Blue Ribbon to its name, even though there was no blue ribbon awarded at the fair.

On my way out, I made a quick stop at the museum’s Science Hub, where I was told that the Philippines contains two-thirds of the earth’s biodiversity and where I was given the opportunity to pet a dead chipmunk, which might have seemed more appealing had the Brewseum offered free samples.

Sunday Near Millennium Park Without Anyone Named George – July 21, 2019

Interestingly, both Doctors Without Borders and Borders book stores, which no one was able to save (thereby making the doctors’ organizational name prescient), were founded in 1971. On the other hand, Crossing Borders Music, which put on the concert by my piano teacher, Marianne Parker, that I attended at the Chicago Cultural Center, across Michigan Avenue from Millennium Park, originated in 2011.

The wonderful solo concert featured music from Marianne’s new album of Haitian music, entitled Pages intimes. As I told her afterward, she obviously has been holding out on me, not teaching me everything she knows, because, shockingly, I can’t play like she can. What other reason could there be?

I then rushed over to the Art Institute, across Monroe Street from Millennium Park, to attend its annual Block Party. On my way to the Impressionism room containing Van Gogh’s The Drinkers, for a program put on by the Brewseum, I passed by Seurat’s A Sunday on La Grande Jatte, thereby completing my park-adjacent trilogy.

Pub historian, and Brewseum founder and executive director, Liz Garibay presented a delightful lecture to the crowd on both the Van Gogh painting and the history and culture of drinking and drinking establishments in Chicago, including the 1855 Lager Beer Riot. After this educational tasting, I now thirst for more information, which I attend to drink in at the Brewseum’s exhibition currently on tap at the Field Museum.

I ended my near-the-park Sunday by watching Mucca Pazza (which translates as mad cow) end the party with one of their unique musical performances. P.T. Barnum would have been proud of the way they closed by marching through the Monroe Street exit, helping to clear the building by leading out hundreds of visitors, who then realized that the show was over.  This way to the egress.