Through Ella’s Eyes – Logan Center for the Arts – August 17, 2024

In celebration of Ella Fitzgerald’s 107th birthday, the Chicago Jazz Philharmonic put on a show.

I didn’t know that number was one of the big ones, like 50, 75, 100, as this was my first time at someone’s 107th birthday party.

At that, I almost didn’t make it in time, what with all the street closures for the DNC, which apparently stands for Drive No Cars.

After arriving, I wish I had been late enough to miss the opening “aren’t we all wonderful” speeches.

I could have used those extra minutes, en route, to further gaze in awe at the in-progress Obama Presidential Center, perhaps the ugliest building I’ve ever seen.

But, since it isn’t yet completed, there’s still hope. I would suggest that they hire some graffiti artists to work on the outer walls, like the city did a few days ago to paint murals on the CTA trains.

The highlight of the first half of the concert was the opening number, A Lost Panorama. It was followed by Tributary, which I wish had flowed in a different direction. For me, the three featured woodwind players lacked sax appeal.

After intermission, the second half started with a “lively discussion” between conductor/arranger Orbert Davis and long-time jazz critic Howard Reich about Fitzgerald. Though I came for music, not talk, I enjoyed the conversation.

That said, my biggest disappointment about the program was the insertion of too much banter throughout, so much so that the finale, which I was highly anticipating, It Don’t Mean a Thing (If It Ain’t Got that Swing), ironically got cut.

The other interruption to my enjoyment of the wonderful orchestra was the constant encouragement by Davis, and vocalists Bobbi Wilson and Margaret Murphy-Webb, to applaud. Jazz musicians are so needy.

I like to show my appreciation, but really, is there a need to applaud after every five second solo? I had to soak my hands in Epsom salts when I got home.

I will, nevertheless, single out three people from the orchestra – John Moulder on guitar, Leandro Lopez Vary on piano, and Zara Zaharieva, who is now officially my all-time favorite female Bulgarian violinist, not just for her skills, but also for the enthusiasm she evidenced throughout the evening.