Titanique

Titanique – Broadway Playhouse – March 25 – July 13, 2025

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Titanique has been running in New York for almost three years and in Sydney for almost seven months, so it should come as no surprise that it has already been extended in Chicago, despite just opening.

As earlier written, I have followed the progress of the joint Porchlight Music Theatre/Broadway in Chicago production since it began rehearsing. Now that I’ve seen the official opening, I’ll share some additional thoughts.

The show is an event that starts rollicking even before the Celine Dion character, played with swagger by Clare Kennedy McLaughlin, in full Celine Dion accent, and then some, makes her first announcement to the audience. There were attendees in costume and a buzz in the air.

Maya Rowe (as Rose) and Adam Fane (as Jack), show no limits to their comedic energy and are able to turn on a dime to deliver with their singing.

I’ve previously noted that a lot of the show’s jokes elude me, and though I’ve now been educated about some of them, I still wish I could appreciate them in the moment.

This is especially true in regard to Rob Lindley’s ranting, eat the scenery, tour de force monologue as Ruth, which contained numerous references I didn’t understand, leaving me to ride the wave of the howling appreciation emitted by a large segment of the audience. The only thing missing was for him to start shouting “Auntie Em!!! Uncle Henry!!! Toto!!! It’s a twister!!! It’s a twister!!!” ala the guy in the tower in Airplane!.

This may not be a show for everyone (I’m pretty sure it won’t be playing the Kennedy Center in the foreseeable future), but the production values are first-rate and the whole cast is top-notch, frequently bringing down the house with their fabulous voices, even in the guise of an iceberg.

Titanique Tech Run – Broadway Playhouse – March 23, 2025

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There was no The Show That Goes Wrong moment, so, as far as I could tell, the tech part of the rehearsal went fine.

I’m sure the cast was grateful to have a a group of people before whom they could strut their considerable skills.

And, for the most part, the attendees, unsurprisingly, seemed to be more clued in than I to the show’s references, even though I had already seen the designers’ run as previously described in an earlier post. I clearly am not the target audience.

For example, I caught allusions to Wicked, Chicago and Peter Pan, but didn’t catch them to, well, I don’t know, as Donald Rumsfeld would say.

I got some help from the Millennial sitting next to me, but even she had no explanation for some of the material.

There were a couple moments when I thought I alone, based on no reaction around me, got a joke, but maybe I was chasing windmills, which may become even tougher to do if they are outlawed.

I’ll have more to say after going to opening night, but, in case the author/director has nothing else to do and is reading this, I want to suggest, and others agreed with me, less eggplant. In putting the show together, he must have had a Steve McQueen in The Magnificent Seven moment, that is “It seemed to be a good idea at the time.”

Titanique – Porchlight Music Theatre/Broadway in Chicago – Broadway Playhouse – March 25-May 18, 2025

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This is the third musical I’ve seen that is based on a ship that sunk, previously having attended Poseidon! An Upside Down Musical and Ernest Shackleton Loves Me, but having missed, I think fortunately, Eastland: A New Musical.

I’ve attacked Titanique as I would have any long-term school project if I had ever done a long-term school project.

I went to the cast meet and greet, where I heard a couple of the show’s songs and some background from the director/co-author, Tye Blue, but mostly met and greeted a variety of cheese and crackers.

Then I watched the movie Titanic for the first time, clearing my calendar for an entire weekend to have time to do so.

As my final preparation, I attended the designers’ run at Porchlight’s rehearsal space, which confirmed for me that, except for two songs, I am unfamiliar with Celine Dion’s music (though familiarity is not necessary to enjoy the show).

The other thing I learned was that Titanique contains pop culture references about which I also am totally clueless. After the performance, I believe I heard one of my fellow attendees mention Dynasty (of which I’ve never seen even a single minute of the boot or reboot) as the basis for an allusion in the show.

Despite my ignorance, I was rapt by the performances and somewhat controlled insanity on stage (more on that after seeing the actual show), albeit somewhat embarrassed by the fact that everyone around me was laughing hysterically, even while I occasionally sat mystified, though entertained (I didn’t always understand Robin Williams or Jonathan Winters either).

I’ve Got a Sinking Feeling

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It was ten months from the time Ernest Shackleton’s ship, the Endurance, became trapped in the ice before it finally sank. Fortunately the entire crew amazingly survived not only that, but also another nine months before their rescue. The last five of those months were spent on Elephant Island.

The weather forecast here this week is for temperatures and wind chills some 30 or more degrees lower than that of Elephant Island, but I don’t have to go outside if I don’t want to (and I won’t be eating any dogs).

Instead I have been inspired to start constructing a LEGO version of the Endurance that I’m taking my time with, as the groundhog said something about six more weeks (months?, years?) of winter, but hope will not take me more than ten months to complete (though I’ve already had to start over once, so who knows), will not sink (pretty good chance of that as it’s not near any water) and will not go unseen for over 100 years (some possibility of that as I don’t get a lot of company).

This project might be the first item in a new LEGO wing (complementing the spacecraft gallery) that would be a combination musical theater (Ernest Shackleton Loves Me) – sea (a groaner, not a typo) you later nook that could also include the Titanic, which took somewhere between 5 minutes and 2 hours 40 minutes to sink, depending on whom you believe (but in either case, would require me to work faster) and is featured in the upcoming Porchlight Music Theatre/Broadway in Chicago production of Titanique.

Broadway x 3 – July 31, August 6, August 12, 2024

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Three different annual Broadway-related concerts, put on by three different groups, in the span of 13 days, and nothing unlucky about it.

The Grant Park Music Festival opened with Broadway Rocks!, which opened with the overture from Tommy. I would have been satisfied with that alone, but the orchestra and a trio of singers kept the energy going through another dozen selections, closing with Don’t Stop Believing (Rock of Ages).

Six days later Porchlight Music Theatre (PMT) wrapped up its Broadway in Your Backyard 12-concert summer series in Washington Square Park (I also saw them June 27 at Seneca Park), opening with, appropriately, Another Op’nin’, Another Show (Kiss Me Kate) (which sent me off into “what if” land, wondering about what the the reception would have been if Mel Brooks had titled the song from The Producers Another Op’nin’, Another Flop, instead of just Opening Night) and closing with Aquarius/Let the Sunshine In (which was actually the opener in Hair). These things are important.

Then, another six days later, it was back to Millennium Park for Broadway in Chicago, put on by, wait for it, Broadway in Chicago, featuring songs from 16 shows coming to Chicago (starting today with Back to the Future). Some of the shows have been here before, like Come From Away, Les Miserables, Moulin Rouge and the pre-Broadway run of Tina, but the biggest hits of the night were a couple newcomers, Kimberly Akimbo and Titanique (produced by PMT), both of which brought waves of laughter and enthusiastic applause from an audience that packed the park from front to back.

Finally, I would be remiss if I omitted the fact that two songs were included in both otherwise divergent Millennium Park Concerts, the always crowd-pleasing Proud Mary (Tina) and the always crowd-engaged Sweet Caroline (A Beautiful Noise), which closed the last of the three nights.