Doomsday Clock

On Second Thought

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In 1965 the Doomsday Clock (not to be confused with the Doomsday Machine from Dr. Strangelove) was set at 12 minutes to midnight by The Bulletin of the Atomic Scientists, which seemed precarious when you considered that the universe is approximately 13.7 billion years old, give or take a few million years – something to do with the Lambda CDM (not a music storage device) and the Hubble constant, a measure of cosmic expansion.

That same year Hedgehoppers Anonymous released a song entitled It’s Good News Week, which, of course, it wasn’t, though everything’s relative, a theory that eventually led to the Hubble constant.

Today, the Doomsday Clock was set at 89 seconds (less time than it takes for me to whip up some instant oatmeal) to midnight — the closest to that hour it has ever been. We should be so proud.

According to a Bulletin spokesman: “We set the clock closer to midnight [only by one second from where it was] because we do not see sufficient, positive progress on the global challenges we face, including nuclear risk, climate change, biological threats and advances in disruptive technologies.” This is much the same as they said last year, when they did not move the clock. I wonder what changed.

Since there are 31,556,952,000,000,000 (that’s 31.55 quadrillion for those of you wondering) seconds in a billion years, that one second seems rather infinitesimal, particularly when you compare it to the five hundred twenty-five thousand, six hundred minutes that helped Rent win the Tony for best original score in 1996.

Take a second and think about it.

Decision Week in Review – Jan. 26, 2024

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I am so tired of hearing that Greta Gerwig was “snubbed” by not getting nominated for the Oscar for Best Director. Excuse me, but there were four other directors of Best Picture-nominated movies who also didn’t make the cut. Ten nominees in one category and only five in the other – I can do the math.

The easiest solution would be to even it out. Ten and ten. The directors of all Best Picture-nominated pictures, and only those directors, are automatically nominated for Best Director. But then some of those people writing the articles about the snubs might be out of work, which, they might be anyway, based on the L.A. Times staff reductions this week.

The Bulletin of the Atomic Scientists left the Doomsday Clock at 90 seconds to midnight. In explaining their decision to not move the clock, the organization nevertheless expressed concern about “a new nuclear arms race,” the “lack of action on climate change [that] threatens billions of lives and livelihoods,” biological research that presents the risk of causing a future pandemic, “and recent advances in artificial intelligence . . . that could . . . threaten civilization in countless ways.”

I wonder what kind of news would have been required to move the clock forward – Alex Rodriguez getting elected to the Baseball Hall of Fame despite his admissions about using steroids during his career? Or perhaps Taylor Swift and Travis Kelce breaking up.