Make Music Chicago

Make Music Chicago – Washington Square Park – June 21, 2024

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Less than 24 hours after the summer solstice and I’m already depressed, as the day seems so much shorter than yesterday. But I press ahead and make my annual footslog to the Make Music Chicago celebration.

This year, in conjunction with The Newberry’s A Night at Mr. Kelly’s exhibit, Washington Square Park presented, I think, the jazz group, the Marshall Vente Trio (Vente is a keyboard player, but Jeremy Kahn was tickling the plastics on the digital piano, and I wasn’t paying attention to all the introductions, so I don’t know), with Greta Pope, and the blues group Mississippi Heat, whom I saw at the same event two years ago and was prepared for this time, remembering to bring my ear plugs, which was not a reflection on their quality, but rather their volume.

As entertaining as the bands were, and as beautiful as the 80-degree day was, I couldn’t help but imagine the chill in the air from the autumn breeze that will be here in a day less than three months. Nevertheless, I was heartened by the fact that, despite the complaining I hear from my suburban friends, there wasn’t a cicada to be seen or heard.

Five Venues – Seven Programs – Eleven Days – June 5-15, 2018

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In anticipation of the upcoming Make Music Chicago day on June 21, here’s a recap of the musical performances I’ve seen recently (not counting the Porchlight Revisits 1975 I already wrote about).

On June 5th I got a taste of the Rose Colella Quartet, along with the Cajun shrimp risotto, at Andy’s Jazz Club.

On June 8th I attended the noonday concert at Fourth Presbyterian Church, featuring pianist Mio Nakamura. I hadn’t been there in a while, in part because some recent programs were organ music. Other than people who play the organ, the phantom of the opera, and Johann Sebastian Bach (and he’s dead), who likes organ music?

The next evening I stopped by Millennium Park to check out the Chicago Blues Festival. The sound of a harmonica lured me, like a sailor to the Sirens, to the Wrigley Square stage to watch Chicago Wind, featuring Deitra Farr and Matthew Skoller. I wasn’t injured, but I thought there was a faint smell in the air that suggested that others around me may have [been] wrecked.

The next afternoon I went to see a Crossing Borders Music program Honoring Refugee Composers at St. James Cathedral, featuring music of composers from Syria, Armenia, Iran, Croatia, Germany, and Uruguay, the number of whom, unfortunately, about equaled the attendees.

Two days later I went to the Rush Hour Concert at St. James, where John Macfarlane (violin), Anthony Devroye (viola), Brant Taylor (cello), and Kenneth Olsen (cello) performed Anton Arensky’s String Quartet in A Minor. Wonderful music, but I longed for the folding chairs they used to add in the back, which I find more comfortable than the pews.

Afterward I went to Jazz on the Terrace at the Museum of Contemporary Art, getting there during the break between sets. Sadly, I liked the recorded music they played during the break better than the live band, so my stay was short.

Finally, on June 15th, I enjoyed the Grant Park Music Festival at Millennium Park, featuring music of Gluck, Mozart, von Weber, and Elgar. This year’s new security measures were painless, as I didn’t bring any laser pointers, drones, or firearms with me.