Five Venues – Seven Programs – Eleven Days – June 5-15, 2018

In anticipation of the upcoming Make Music Chicago day on June 21, here’s a recap of the musical performances I’ve seen recently (not counting the Porchlight Revisits 1975 I already wrote about).

On June 5th I got a taste of the Rose Colella Quartet, along with the Cajun shrimp risotto, at Andy’s Jazz Club.

On June 8th I attended the noonday concert at Fourth Presbyterian Church, featuring pianist Mio Nakamura. I hadn’t been there in a while, in part because some recent programs were organ music. Other than people who play the organ, the phantom of the opera, and Johann Sebastian Bach (and he’s dead), who likes organ music?

The next evening I stopped by Millennium Park to check out the Chicago Blues Festival. The sound of a harmonica lured me, like a sailor to the Sirens, to the Wrigley Square stage to watch Chicago Wind, featuring Deitra Farr and Matthew Skoller. I wasn’t injured, but I thought there was a faint smell in the air that suggested that others around me may have [been] wrecked.

The next afternoon I went to see a Crossing Borders Music program Honoring Refugee Composers at St. James Cathedral, featuring music of composers from Syria, Armenia, Iran, Croatia, Germany, and Uruguay, the number of whom, unfortunately, about equaled the attendees.

Two days later I went to the Rush Hour Concert at St. James, where John Macfarlane (violin), Anthony Devroye (viola), Brant Taylor (cello), and Kenneth Olsen (cello) performed Anton Arensky’s String Quartet in A Minor. Wonderful music, but I longed for the folding chairs they used to add in the back, which I find more comfortable than the pews.

Afterward I went to Jazz on the Terrace at the Museum of Contemporary Art, getting there during the break between sets. Sadly, I liked the recorded music they played during the break better than the live band, so my stay was short.

Finally, on June 15th, I enjoyed the Grant Park Music Festival at Millennium Park, featuring music of Gluck, Mozart, von Weber, and Elgar. This year’s new security measures were painless, as I didn’t bring any laser pointers, drones, or firearms with me.