Millennium Park

Broadway x 3 – July 31, August 6, August 12, 2024

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Three different annual Broadway-related concerts, put on by three different groups, in the span of 13 days, and nothing unlucky about it.

The Grant Park Music Festival opened with Broadway Rocks!, which opened with the overture from Tommy. I would have been satisfied with that alone, but the orchestra and a trio of singers kept the energy going through another dozen selections, closing with Don’t Stop Believing (Rock of Ages).

Six days later Porchlight Music Theatre (PMT) wrapped up its Broadway in Your Backyard 12-concert summer series in Washington Square Park (I also saw them June 27 at Seneca Park), opening with, appropriately, Another Op’nin’, Another Show (Kiss Me Kate) (which sent me off into “what if” land, wondering about what the the reception would have been if Mel Brooks had titled the song from The Producers Another Op’nin’, Another Flop, instead of just Opening Night) and closing with Aquarius/Let the Sunshine In (which was actually the opener in Hair). These things are important.

Then, another six days later, it was back to Millennium Park for Broadway in Chicago, put on by, wait for it, Broadway in Chicago, featuring songs from 16 shows coming to Chicago (starting today with Back to the Future). Some of the shows have been here before, like Come From Away, Les Miserables, Moulin Rouge and the pre-Broadway run of Tina, but the biggest hits of the night were a couple newcomers, Kimberly Akimbo and Titanique (produced by PMT), both of which brought waves of laughter and enthusiastic applause from an audience that packed the park from front to back.

Finally, I would be remiss if I omitted the fact that two songs were included in both otherwise divergent Millennium Park Concerts, the always crowd-pleasing Proud Mary (Tina) and the always crowd-engaged Sweet Caroline (A Beautiful Noise), which closed the last of the three nights.

Grant Park Music Festival – Millennium Park – July 17 & 19, 2024

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Two beautiful evenings, two large crowds, two wonderful concerts.

On July 17th, I had a feeling of deja vu while listening to pianist 
Clayton Stephenson play Rachmaninov’s Rhapsody on a Theme of Paganini. And then it occurred to me that I had heard it played by Bill Murray’s character (though really played by session musician Terry Fryer) in Groundhog Day at the party near the end of the movie.

So, it wasn’t an illusion of memory, or one triggered by reliving the same day 12,395 times, as computed and suggested by the yahoo!movies website, but rather an actual memory of a movie I saw three days in a row when it first opened.

On the 19th, for Star Wars and More: The Music of John Williams, I thought I might see a lot of attendees, particularly younger ones, in costume, but there was a dearth of Darth Vaders.

The Grant Park Orchestra, in top form both days, was led that day by Anthony Parnther, who, in addition to demonstrating his conducting skills and James Earl Jones impersonation, albeit from The Lion King, not Star Wars, proved to be an engaging raconteur, entertaining us with, among others, a story about a sound editing room physical altercation about a E.T. score volume alteration.

Grant Park Music Festival – Millennium Park – June 14, 2024

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I don’t bother writing about all my trips to the Grant Park Music Festival as it becomes boring to comment on one pleasurable evening after another and my grasp of the English language (even my native Mid-American version thereof) is such that I eventually run out of adjectives and/or the strength to defend my use of them.

But, I would be remiss if I didn’t relate my new experience this week, that is having something resembling a conversation with the festival’s chorus director, Christopher Bell, or, as he introduced himself to me prior to the June 14th concert, Chris, which, may I add, resulted in my new acquaintance taking my suggestion regarding the need for a jazzier pre-show 10-minute chime warning for those of us hanging out in the tent, usurping the chimes and mallet and playing a little ditty himself for the nearby patrons.

The interaction is noteworthy on two counts. First, that it happened at all, which can be solely attributed to Chris’s friendliness, his need to stand somewhere to eat his turkey pinwheel and there being such an available “where” right next to me.

Second, as he seemed like a nice guy, I restrained myself and didn’t mention that I hate choral performances (don’t tell him) and had no intention for staying past intermission to hear The Cloud Messenger (after thoroughly enjoying Christian Tetzlaff playing Elgar’s Violin Concerto in B Minor in the first half of the concert).

One final note. The mere title, The Cloud Messenger, is a turnoff for me. I’ve never seen a movie I liked with the word cloud in the title, including the critically-acclaimed, but not by me, Cloud Atlas.

I will admit, however, to liking Chicago’s Cloud Gate and the songs Get Off of My Cloud and Cloud Nine, though I’m still confused as to how one can look at clouds from both sides.

Chicago Blues Festival – Millennium Park – June 7, 2024

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According to the Revolt website, there are 33 rappers whose alter egos start with “Lil”, none of whom, unsurprisingly, I’ve ever seen perform in person, whereas Wikipedia tells me that there have only been four blues musicians whose names started the same way (although 16 more have started with “Little”), so I couldn’t pass up the opportunity to see Lil’ Jimmy Reed, who, by the way, is not one of the four, at the Chicago Blues Festival.

There is a Jimmy Reed listed, but unless Lil’ Jimmy Reed died in 1976 and then crawled out of a coffin like Screamin’ Jay Hawkins to reinvent himself, it’s probably a different guy. Actually Lil’ Jimmy, born Leon Atkins, took the name after filling in for the original in a Baton Rouge club long ago. Is that what they now call identity theft?

Anyway, Reed, billed as the last of the original Louisiana bluesmen, sounded good, though I can’t really say I saw him, as I decided to linger in a shady spot outside the tent, where it was a lil’ cooler and not as loud, and refresh myself with a long, cool drink of microplastics.

Chicago Jazz Festival – Millennium Park – September 3, 2023

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In some year before I started writing this blog I saw Petra’s Recession Seven somewhere, I think. And I’ve seen clips of them on YouTube, I think. I liked their music, I think.

Probably good enough, when combined with their promotion as performing traditional jazz and swing from the 20s, 30s and 40s, for me to brave the heat and potential crowds to go see them. And then, surprise, I read that bandleader and singer Petra van Nuis is married to guitarist Andy Brown, whom I have enjoyed and written very favorably about on several occasions, I know.

So, it was off to the Von Freeman Pavilion for an hour of smooth nostalgia, with a seat in the shade, including songs from Louis Armstrong, Fats Waller, Billie Holiday and Cole Porter and appropriately finishing with King Oliver’s Doctor Jazz, a song I fondly remember hearing the Ezra Quantine Ragtime Memorial Band play many times in local clubs in the 1970s, I think.

Fourth Presbyterian Church Noonday Concert and Chicago Jazz Festival – September 1, 2023

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At the church, Ashley Ertz (oboe) and Lillia Woolschlager (piano) treated us with a Samuel Coleridge-Taylor piece I can’t remember the name of, possibly because I never looked at it in the program. 

I didn’t stay for the rest of the concert, featuring composers unknown to me, and compositions from the latter half of the 20th century, a potential red flag for me, though, I admit, the music wafting through the Sanctuary as I left sounded like something I might have liked. But I had other fish, or beignets, to fry and so headed for the Jazz Festival.  

As promised to myself last week after seeing the Juan Pastor trio at the Noonday Concert, I went to see Pastor’s Chincahno, expecting a quintet, but pleasantly surprised to hear a septet, whose sound filled Millennium Park with Peruvian-inspired top-tapping rhythms.    

And, as with any music festival worth its salt, a wide variety of overpriced t-shirts were available for purchase.  

More interestingly, there was a creole food stand, whose offerings included the aforementioned beignets. The last time I had one of those, it was with a cup of coffee and chicory, sitting outside at the original Cafe du Monde (there are now 10) on the banks of the Mississippi River in New Orleans, where the beignets are served in threes in case eating just one of these deeply fried treats is not enough to clog every artery in your body. The approximately 60 million steps I’ve taken since then hopefully have negated that indulgence, but I decided not to risk further damage this time, even though there was a medical vehicle stationed not too far away.

Coming Attractions (or not) – September, 2023

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I was berated today for not telling people about events before they happen. So, for all of you out there who haven’t yet learned how to use your computer, and since I have a little time to kill, here are some ideas for things to do in September.

First, and foremost, and before you tire of my sarcasm, you must go to the Porchlight Music Theatre’s Icons Gala on the 8th at the Athenaeum Center. It will, as always, be a very entertaining evening and, if you buy one of the top-tier tickets, you get to mingle with me at the pre-show cocktail reception. Also, the guest of honor, Ben Vereen, will be in attendance.

As I alluded to in an earlier post, the Chicago Jazz Festival comes to town the first few days of the month. You’re on your own as to which acts might interest you. I stopped going years ago, as I tired of the modern, atonal nonsense they inappropriately call music, but there are a few acts on the calendar this year that I either have seen before and liked or am confident enough about to risk a trek down to Millennium Park or the Cultural Center for a look-see.

The Fourth Presbyterian Church takes its Noonday Concerts indoors starting this Friday, which seems premature to me, but allows them to put to use their big honking organ, though, fortunately for my tastes, not until the end of the month, so, again, why not keep things outdoors until then.

The Harris Theater for Music and Dance is celebrating its 20th Anniversary (seems like 40 years taking into account having to traverse all those stairs) on the 9th in Millennium Park. The unprecise schedule makes it hard to know when I might want to drop in, though the likelihood of families attending the afternoon sessions is fair warning to avoid those.

The Printers Row Lit Fest is that same weekend (both days). It always presents a plethora of interesting exhibitors and programs, if you can find them in the event’s labyrinth (watch out for the Minotaur).

And, not finally, but I’m tired, the American Writers Museum is hosting Get Lit: Grown-Up Book Fair on the 12th, which will feature refreshments, carnival games, and an Adult Spelling Bee, which, I assume, means either dirty words and/or easier ones than the obnoxiously well-prepared kids at the real one have to tackle.

Grant Park Music Festival – Millennium Park – August 16, 2023

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Despite further evidence of a new normal, extreme climate this summer that caused unprecedented concert cancellations and occasionally unfortunate, inhospitable conditions at the outdoor venue, I managed to make it to a fair number of events, all good, but none as good as this one, in part because of the first Grant Park Orchestra performance of a work by a composer previously unknown to me.

I went in assuming I was biding my time waiting for Sir Stephen Hough to entertain the audience with Mendelssohn’s concerto No. 1 in G Minor, as he did with great skill, when I was treated to six wonderful movements from Foreign Lands by the little-known Moritz Moszkowski, and to a picture of his magnificent mustache in the program.

By the time the evening rolled around to the last composition, after an encore by Hough, I thought my musical appetite might already be satiated, but I was able to find room for a delicious dessert of Les Preludes by Liszt.

Cirque Returns – Millennium Park – August 9, 2023

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Cirque (specifically Troupe Vertigo) returned (this year performing to classical music, not Hollywood film scores), and so did I, although this time I sat in the cheap seats (read free) as opposed to the choral balcony behind the stage where I sat last year.

Also, this time I went early to check out the Family Fun in the Chase Promenade North Tent prior to the show, where I hoped to learn, from CircEsteem, how to juggle, spin plates and do hand stands with the other children in attendance. I’m proud to say that, quick study that I am, I can now juggle one ball, with the prospect of two looming in the near future.

I don’t know if it was my new vantage point or familiarity breeding indifference, but I wasn’t as enthralled by the theatrics as I was last year, not to say that there wasn’t great skill on display. But I concentrated more on the beautiful music and also found myself mesmerized by the coordinated movements of the crew working the ropes for the aerialists. To each his own.

Grant Park Music Festival – Millennium Park and Lake Shore Park (String Fellows) – August 2 & 3, 2023

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The music was good, yada, yada, yada, so let’s get to the other things going through my head.

Millennium Park doesn’t allow dogs, except for service animals (which don’t include emotional support animals), so barking during the concerts there Is one of the few interruptive sounds you don’t hear. Keep in mind that I’ve heard all manner of disruptive noise during the music, but haven’t yet, though it’s probably only a matter of time, heard any of the people in the audience bark (as they have been doing in the Dawg Pound bleachers at Cleveland Browns games since 1985).

Even if they were permitted to come, the dogs might not be interested. Studies show that classical music reduces stress in dogs, but that, after a time, they become bored (as do many humans), and that in the long term they respond better to reggae and soft rock. It’s not clear what the time limit is on a dog’s attention span, but all but one of the numerous dogs at the one-hour Lake Shore Park concert held it together throughout and that one’s owner was kind enough to take it for a stroll as soon as the problem arose.

Now if we could only get concert ushers to take unruly human attendees for a walk.