Andrew Mueller

Little Shop of Horrors – Marriott Lincolnshire Theatre – March 15, 2026

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The only cast member from the 2018 production of Little Shop of Horrors I saw, who also was in this year’s Marriott version, was Lorenzo Rush, Jr. Given that Lorenzo perfectly gives voice to the person-eating plant Audrey II, I’m guessing that he has a repeating gig for life, at one theater after another, if he wants it, given the everlasting popularity of this fun-loving romp.

Little Shop is in a select group of movies that have become musicals and then movie musicals. I add Hairspray and The Producers to that short, great list (but not Mean Girls, because I would never admit to seeing any version of it, as much as I love Tina Fey).

I would have loved to be in the room when Howard Ashman took a Roger Corman movie and wrote the book and lyrics for a musical version of Little Shop. He, and everyone around him, must have had a great time.

I always wonder how decisions are made regarding character names. The wonderful chorus of Crystal, Ronnette and Chiffon is obvious, but what about Audrey? When Corman picked that name, he couldn’t have known that Ashman would later rhyme it with tawdry in the lyrics of The Meek Shall Inherit. Our good fortune.

And what about Orin Scrivello, D.D.S., played to the hilt, along with several other characters, by Andrew Mueller? My rampant curiosity led me to discover that scrivello is actually a word meaning, according to Merriam-Webster, an elephant’s tusk of a small size commonly used for making billiard balls. Tusk – incisor tooth – dentist – coincidence?

There were other welcome, familiar faces in the cast, for example Jackson Evans, always a treat sharing the stage with a puppet, like the time I saw him in 2014 in Avenue Q. And Mark David Kaplan, set to receive the Guy Adkins Award from Porchlight Music Theatre in May at Chicago Sings Broadway’s British Invasion.

Beautiful: The Carole King Musical – Marriott Theatre – December 3, 2023

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For those of us of a certain age, Carole King’s music is fundamental. And, for me, seeing a member of the extremely -talented Mueller family playing a part in King’s story is also basic.

In the first national tour I saw Abby Mueller, replacing her Tony award-winning sister Jessie in the part of King, and now I’ve seen brother Andrew as Gerry Goffin, after loving him in the off-beat Ernest Shackleton Loves Me earlier this year.

I also have now seen Erica Stephan, who plays Cynthia Weil, in four shows in just over a year – Clue, Cabaret (Jeff Award as Sally Bowles), Damn Yankees and Beautiful. There’s a reason she’s so in demand.

But, of course, Kaitlyn Davis, who, based on her bio, apparently was born to channel Carole King, is the star. And though the music is what draws people in, as it does in any jukebox musical, the show provides enough story such that the biggest round of applause of the night was when Davis, as King, tells her husband and lyricist Goffin, that she’s through with him and his philandering ways and sends him on his way.

Another appeal of the show for me is the complementary story of Weil and Barry Mann, King’s friends from the start of her career, who also wrote a myriad of hit songs, half a dozen of which are part of the score, and also are in the Songwriters and Rock and Roll Halls of Fame, and who, unlike the other couple, remained married for 62 years, until Weil’s death this year.