Lorenzo Rush

Little Shop of Horrors – Marriott Lincolnshire Theatre – March 15, 2026

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The only cast member from the 2018 production of Little Shop of Horrors I saw, who also was in this year’s Marriott version, was Lorenzo Rush, Jr. Given that Lorenzo perfectly gives voice to the person-eating plant Audrey II, I’m guessing that he has a repeating gig for life, at one theater after another, if he wants it, given the everlasting popularity of this fun-loving romp.

Little Shop is in a select group of movies that have become musicals and then movie musicals. I add Hairspray and The Producers to that short, great list (but not Mean Girls, because I would never admit to seeing any version of it, as much as I love Tina Fey).

I would have loved to be in the room when Howard Ashman took a Roger Corman movie and wrote the book and lyrics for a musical version of Little Shop. He, and everyone around him, must have had a great time.

I always wonder how decisions are made regarding character names. The wonderful chorus of Crystal, Ronnette and Chiffon is obvious, but what about Audrey? When Corman picked that name, he couldn’t have known that Ashman would later rhyme it with tawdry in the lyrics of The Meek Shall Inherit. Our good fortune.

And what about Orin Scrivello, D.D.S., played to the hilt, along with several other characters, by Andrew Mueller? My rampant curiosity led me to discover that scrivello is actually a word meaning, according to Merriam-Webster, an elephant’s tusk of a small size commonly used for making billiard balls. Tusk – incisor tooth – dentist – coincidence?

There were other welcome, familiar faces in the cast, for example Jackson Evans, always a treat sharing the stage with a puppet, like the time I saw him in 2014 in Avenue Q. And Mark David Kaplan, set to receive the Guy Adkins Award from Porchlight Music Theatre in May at Chicago Sings Broadway’s British Invasion.

Porchlight Music Theatre – Chicago Sings 30 Years of Porchlight- House of Blues – May 12, 2025

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Twenty-one songs, played by a top-notch band and performed by an extraordinary cast of 20, not counting, though I should, the additional eight “Youth Performers” who joined in for They’re Playing Our Song, as a prelude to the irrepressible auctioneer Greg “G-man” Dellinger once again doing his thing by racing around the room to help unburden willing attendees from any up-to-that-point unspent charitable contributions weighing them down.

The room was too cold for my comfort, making me think of the book I’m currently reading – FROSTBITE: How Refrigeration Changed Our Food, Our Planet, and Ourselves – but the music was hot, especially, for me, starting right before intermission, when the legendary E. Faye Butler resurrected her award-winning Mama Rose.

First act rabbit hole for me – I had to look up the show Closer Than Ever (and its song – Fathers of Fathers), which apparently came out in 1989, with music by David Shire, who I knew had previously given his name to Talia Shire, née Coppola, but who, I didn’t know, has long been married to Edith Bernstein – Didi Conn of Grease fame.

You know you’re in for a great show when three of the Five Guys Named Moe (Court Theatre – 2017) are in the cast. One of them, Lorenzo Rush Jr. provided one of the evening’s highlights when he used his performance of Honeysuckle Rose, from his award-winning performance in Ain’t Misbehavin’, to further honor the evening’s Guy Adkins Award winner Heidi Kettenring, presenting her with a long-stemmed beauty.

Having thus resurrected the rose theme, Erica Stephan did the same for the mama through line, giving us Don’t Tell Mama from her award-winning performance as Sally Bowles, and making me glad that I hadn’t listened to Randy Newman’s warning in Mama Told Me Not to Come.