World Dumpling Fest – Logan Square Park – September 9, 2023

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Except in passing on my way somewhere else, I haven’t been to Logan Square in almost 50 years, at which time I was coaching a church league basketball team of high school freshman in a game at the local boys club (which I believe has since been torn down and replaced by an apartment building), my primary responsibilities being to drive the players to the game in the church van (without getting into an accident), buy them something to eat at Jack in the Box after the game (win or lose), and hold onto my star player’s switchblade during the game (to avoid any accidents).

So it was not just the lure of eight different food vendors, representing as many different cultures, that lured me to the neighborhood, but also the appeal of walking around without a deadly weapon in my pocket. If anything was going to kill me, it would be deep fried dumplings.

As it turned out, I didn’t need to worry about that either. By the time I got to the fest, a little over an hour after it opened, they were already sold out of food tickets, which was just as well, as each booth had a very long line of people waiting to gorge themselves, and, as we know, I don’t do lines.

But the trip wasn’t a total loss. A couple blocks away I happened across the Chicago Citywide Classic Car Club (or so their t-shirts read) hanging out by dozens of unique, shiny vehicles, which they probably wouldn’t have wanted me to approach with a leaky dumpling in hand.

Porchlight ICONS: Celebrating Ben Vereen – Athenaeum Center – September 8, 2023

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I skipped the reception, because so did honoree Ben Vereen. He couldn’t make it because he was stuck in Romania. I can’t tell you how many times that’s happened to me (and Dracula).

Vereen’s filming a miniseries there about the American Civil War (huh?). To his credit, despite the last minute cancellation, he found time to sing a song and provide a very engaging interview for a tape played during the night’s festivities, which also featured wonderful performances by event cochairs Felicia Fields and Kenny Ingram, along with a group of regular Porchlight performers and musicians.

If you’re wondering how Vereen can be filming during an actors’ strike, it’s because his is one of at least 281 productions (as of September 5) that are working under an interim agreement approved by the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) negotiators, which, according to them, is not a waiver, but rather a contract that includes all the terms of the last SAG-AFTRA counteroffer to the producers.

There are those who aren’t happy about these agreements. Some big names, such as Viola Davis and Sarah Silverman, have declined to work on these films.

Meanwhile, with the writers also on strike, the public is relegated to watching game and reality shows (would Dracula qualify?), reruns of The Nanny or news conferences with its star Fran Drescher, who is the current National President of SAG-AFTRA.

While a taped Vereen was entertaining, Drescher in person might have been even more interesting. She doesn’t have Vereen’s theatrical resume, but a Broadway (not Romanian) musical version of The Nanny, book cowritten by Drescher and lyrics by Rachel Bloom (yeah!) has been in the works for a few years.

Chicago Jazz Festival – Millennium Park – September 3, 2023

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In some year before I started writing this blog I saw Petra’s Recession Seven somewhere, I think. And I’ve seen clips of them on YouTube, I think. I liked their music, I think.

Probably good enough, when combined with their promotion as performing traditional jazz and swing from the 20s, 30s and 40s, for me to brave the heat and potential crowds to go see them. And then, surprise, I read that bandleader and singer Petra van Nuis is married to guitarist Andy Brown, whom I have enjoyed and written very favorably about on several occasions, I know.

So, it was off to the Von Freeman Pavilion for an hour of smooth nostalgia, with a seat in the shade, including songs from Louis Armstrong, Fats Waller, Billie Holiday and Cole Porter and appropriately finishing with King Oliver’s Doctor Jazz, a song I fondly remember hearing the Ezra Quantine Ragtime Memorial Band play many times in local clubs in the 1970s, I think.

Fourth Presbyterian Church Noonday Concert and Chicago Jazz Festival – September 1, 2023

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At the church, Ashley Ertz (oboe) and Lillia Woolschlager (piano) treated us with a Samuel Coleridge-Taylor piece I can’t remember the name of, possibly because I never looked at it in the program. 

I didn’t stay for the rest of the concert, featuring composers unknown to me, and compositions from the latter half of the 20th century, a potential red flag for me, though, I admit, the music wafting through the Sanctuary as I left sounded like something I might have liked. But I had other fish, or beignets, to fry and so headed for the Jazz Festival.  

As promised to myself last week after seeing the Juan Pastor trio at the Noonday Concert, I went to see Pastor’s Chincahno, expecting a quintet, but pleasantly surprised to hear a septet, whose sound filled Millennium Park with Peruvian-inspired top-tapping rhythms.    

And, as with any music festival worth its salt, a wide variety of overpriced t-shirts were available for purchase.  

More interestingly, there was a creole food stand, whose offerings included the aforementioned beignets. The last time I had one of those, it was with a cup of coffee and chicory, sitting outside at the original Cafe du Monde (there are now 10) on the banks of the Mississippi River in New Orleans, where the beignets are served in threes in case eating just one of these deeply fried treats is not enough to clog every artery in your body. The approximately 60 million steps I’ve taken since then hopefully have negated that indulgence, but I decided not to risk further damage this time, even though there was a medical vehicle stationed not too far away.

Chicago Jazz Festival – Chicago Cultural Center – August 31, 2023

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I was drawn to this program by the fact that it was promoted as Zack Markstet, Performing Horace Silvers’ 1966 release “The Jody Grind”. My interest may have been surprising as I had never heard of Markstet or The Jody Grind.

However, I have three CDs (remember them) of Silver’s music, two of them featuring The Jazz Messengers. The third is entitled Jazz . . . has . . . a Sense of Humor (his final studio album), a title that fairly reflects part of why I’m a fan of his music.

That said, for all I knew going in, Markstet’s sextet was make up of guys from downtown street corners who would turn the six-track album into something resembling the theme song from The Jetsons. I still don’t actually know anything about the musicians, but they sounded good and, as far as I could tell, remained true to the original recording, though they substituted a trombone for the second saxophone that the Blue note label gave us in 1966.

I don’t write music, so I found a website that told me that a trombone can read alto sax parts by reading as in bass clef and adding 3 flats to the written key. Unless those changes are written out ahead of time, it sounds like playing blindfolded chess to me, which would be a real grind.

Coming Attractions (or not) – September, 2023

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I was berated today for not telling people about events before they happen. So, for all of you out there who haven’t yet learned how to use your computer, and since I have a little time to kill, here are some ideas for things to do in September.

First, and foremost, and before you tire of my sarcasm, you must go to the Porchlight Music Theatre’s Icons Gala on the 8th at the Athenaeum Center. It will, as always, be a very entertaining evening and, if you buy one of the top-tier tickets, you get to mingle with me at the pre-show cocktail reception. Also, the guest of honor, Ben Vereen, will be in attendance.

As I alluded to in an earlier post, the Chicago Jazz Festival comes to town the first few days of the month. You’re on your own as to which acts might interest you. I stopped going years ago, as I tired of the modern, atonal nonsense they inappropriately call music, but there are a few acts on the calendar this year that I either have seen before and liked or am confident enough about to risk a trek down to Millennium Park or the Cultural Center for a look-see.

The Fourth Presbyterian Church takes its Noonday Concerts indoors starting this Friday, which seems premature to me, but allows them to put to use their big honking organ, though, fortunately for my tastes, not until the end of the month, so, again, why not keep things outdoors until then.

The Harris Theater for Music and Dance is celebrating its 20th Anniversary (seems like 40 years taking into account having to traverse all those stairs) on the 9th in Millennium Park. The unprecise schedule makes it hard to know when I might want to drop in, though the likelihood of families attending the afternoon sessions is fair warning to avoid those.

The Printers Row Lit Fest is that same weekend (both days). It always presents a plethora of interesting exhibitors and programs, if you can find them in the event’s labyrinth (watch out for the Minotaur).

And, not finally, but I’m tired, the American Writers Museum is hosting Get Lit: Grown-Up Book Fair on the 12th, which will feature refreshments, carnival games, and an Adult Spelling Bee, which, I assume, means either dirty words and/or easier ones than the obnoxiously well-prepared kids at the real one have to tackle.

Juan Pastor Trio – Fourth Presbyterian Church Noonday Concert – August 25, 2023

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The Juan Pastor Trio treated attendees to a wonderful last outdoor Noonday Concert of the year. This group was new to me, but I’m already hoping to see Pastor’s larger band, Chinchano, which adds two saxophones to the trio’s bass, piano and drums, at the upcoming Chicago Jazz Festival.

Chinchano is promoted as “Pastor’s modern instrumental jazz group that fuses the traditional North American jazz harmonic palette with exciting rhythmic concepts drawn from Central and South America.” Sounds good to me.

Pastor is Peruvian by birth, I assume from the Chincha Province, based upon his group’s name. Chincha means ocelot in Quechua (an indigenous language spoken by the Quechua peoples, primarily living in the Peruvian Andes), which confuses me because chinchillas, historically, lived in Peru (and Bolivia and Chile), but are rodents, not felines, which makes me think about a different kind of fusion, that of two different orders of mammalia, rodentia and carnivora, which might produce a very atonal product.

Eschewing Dancing Shoes – MCA & St. James Cathedral – August 22, 2023

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I won’t dance, don’t ask me (it’s a knee thing), but I’ll watch, or listen. So I had to decide between the Museum of Contemporary Art’s Tuesday on the Terrace program featuring the Puerto Rican Bomba dance music of Bomberxs D’Cora of La Escuelita Bombera de Corazón, and Bongani Ndodana-Breen – Two Nguni Dances, the first piece being played by Trio Diorama at the St. James Cathedral Rush Hour Concert.

I decided to start with the outdoor event (knowing that I likely would be staying indoors most of the next two days due to the expected thousand degree temperatures).

I found joyful music and a fun atmosphere at the MCA once I talked my way in through the “wrong” door, but not before pointing out to staff all the flaws in their entry system, which, I’m afraid, left a sour taste in my mouth (and possibly my name on Santa’s naughty list), so, after 15 minutes, I headed for the church, not for absolution, but rather for Felix Mendelssohn’s Piano Trio No. 1 in D minor, timing my arrival perfectly to catch the excellent performance in the venue’s last concert of the summer (groan).

Grant Park Music Festival – Millennium Park – August 16, 2023

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Despite further evidence of a new normal, extreme climate this summer that caused unprecedented concert cancellations and occasionally unfortunate, inhospitable conditions at the outdoor venue, I managed to make it to a fair number of events, all good, but none as good as this one, in part because of the first Grant Park Orchestra performance of a work by a composer previously unknown to me.

I went in assuming I was biding my time waiting for Sir Stephen Hough to entertain the audience with Mendelssohn’s concerto No. 1 in G Minor, as he did with great skill, when I was treated to six wonderful movements from Foreign Lands by the little-known Moritz Moszkowski, and to a picture of his magnificent mustache in the program.

By the time the evening rolled around to the last composition, after an encore by Hough, I thought my musical appetite might already be satiated, but I was able to find room for a delicious dessert of Les Preludes by Liszt.

Fourth Presbyterian Church Noonday Concert – August 18, 2023

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A 1986 Los Angeles Times review of a Marni Nixon album of George Gershwin songs called it “polished and professional, yet also sparse and dry.” It went on to say that “Nixon’s voice is not rich in its lower registers . . . . and that nearly all the songs . . . ask for more stretching and surging of tempo than the performers [including the pianist] allow.”

We’re talking Marni Nixon, ghost singer for the stars (Deborah Kerr, Natalie Wood, Audrey Hepburn). So, you’ll excuse me if I say that soprano Kathleen Monson (and her accompanist Riko Higuma) did not provide fascinating rhythm for me in much the same way.

Monson’s voice is beautiful, but not for me. I left this summertime concert with plenty of nothing.

Higuma was given some solo time, including a shortened version of Rhapsody in Blue. This is the third performance of that classic I’ve witnessed this year. I previously raved about Sean Hayes and Michelle Cann. While I found Higuma’s work more entertaining that Monson’s, it didn’t rise to the level of the other two pianists, though, to be fair, they were playing grand pianos and she was playing an upright that may or may not have been made from Legos.